{"id":10796,"date":"2024-01-30T09:20:13","date_gmt":"2024-01-30T09:20:13","guid":{"rendered":"https:\/\/qiraatafrican.com\/en\/?p=10796"},"modified":"2024-02-12T09:30:55","modified_gmt":"2024-02-12T09:30:55","slug":"vas-decision-to-loan-looted-asante-gold-back-to-ghana-implications-for-other-british-museums","status":"publish","type":"post","link":"https:\/\/qiraatafrican.com\/en\/10796\/vas-decision-to-loan-looted-asante-gold-back-to-ghana-implications-for-other-british-museums\/","title":{"rendered":"V&A\u2019s decision to loan looted Asante gold back to Ghana: implications for other British museums"},"content":{"rendered":"

By Georgios Giannakopoulos*<\/strong><\/a><\/p>\n

 <\/p>\n

The Victoria and Albert Museum (V&A) has announced a loan agreement with the Manhyia Palace Museum in the Asante region of Ghana to return gold and silver royal regalia that were looted from the country by the British in 1874 and 1895. The decision\u00a0was announced<\/a>\u00a0on the 150th anniversary of a sequence of wars of aggression, waged by the British empire against the Asante kingdom in Africa\u2019s Gold Coast (modern day Ghana).<\/p>\n

This agreement is part of a renewable framework of exchanges agreed not with the Ghanian government but with the current monarch of the Asante kingdom, a constitutionally protected region of the state of Ghana. The exact length of the agreement is unclear but\u00a0most accounts suggest<\/a>\u00a0that this is a three-year deal.<\/p>\n

The agreement concerns\u00a017 objects held at the V&A<\/a>\u00a0and\u00a015 objects from the British Museum collection<\/a>. These include a sword of state and a gold peace pipe.<\/p>\n

British forces took the treasures when plundering the Asante capital Kumasi during the third and fouth\u00a0Anglo-Ashanti wars<\/a> (1873\u201374 and 1895-96). The looting was an act of opportunism but also served a political function to humiliate the residents of the Asante kingdom.<\/p>\n

Today, these artefacts are seen in Ghana as\u00a0missing parts of the country\u2019s national heritage<\/a>. They bear great spiritual value for the Asante people.<\/p>\n

The director of the V&A, historian Tristram Hunt, presented this loan deal as a template for\u00a0the solution<\/a>\u00a0to the \u201ccontested colonial heritage\u201d of items in European museums. Hunt suggested that contemporary Asante goldsmiths could be commissioned to create artworks that would \u201cfill the gap\u201d left in the collection by the loaned artefacts.<\/p>\n

The V&A has been at pains to argue that this deal and other similar initiatives\u00a0do not constitute repatriation agreements<\/a>. This is important because such an agreement would contradict\u00a0the National Heritage Act of 1983<\/a>, which prohibits national museums from repatriating antiquities in their collection.<\/p>\n

\n
\"A<\/div>
A cast gold ornament in the form of a bird probably from a ceremonial hat.<\/span>\u00a0Victoria and Albert Museum<\/span><\/span><\/figcaption><\/figure>\n

The agreed framework of exchange allows the state of Ghana to reap the benefits of the temporary return of the Asante treasures without having to make concessions on the question of legal ownership of the artefacts. In short, having the treasures return to Ghana on a loan deal with a regional partner allows the Ghana state authorities to continue arguing for repatriation and restitution.<\/p>\n

This is perhaps why Hunt argued that this partnership \u201callows us to move beyond the Parthenon sculptures debate<\/a>\u00a0\u2013 a reference to the requested repatriation of several sculptures extracted from the Parthenon in Greece in the early 1800s.<\/p>\n

 <\/p>\n

How the agreement might impact other cases<\/strong><\/h3>\n

This agreement suggests that since national museums in the UK are banned from returning controversial cultural artefacts to their places of origin, loan deals and dynamic exchanges are the way forward.<\/p>\n

The British Museum and the Greek government currently pursue this line of thinking. Despite the\u00a0recent diplomatic episode<\/a>\u00a0in which Rishi Sunak cancelled a scheduled meeting with the Greek prime minister in response to the latter\u2019s comments about the Parthenon sculptures, the Greek government has changed its approach on the Parthenon marbles question.<\/p>\n

Officials are now presenting the problem not as one of ownership and restitution but as one of reunification. This means that they are open to solutions along the lines of the Asante case. But the key difference is that in the Greek case the agreement would have to be between two national museums \u2013 the British museum and the Parthenon Museum \u2013 with the involvement of the Greek state. The extent to which such a solution would be popular with the Greek public remains to be seen.<\/p>\n

This deal may have implications for other cases around the world. The other obvious example is that of the\u00a0Benin bronzes<\/a>\u00a0\u2013 a cluster of 16th century statues looted in 1897 from the west African kingdom of Benin, now part of the Nigerian state \u2013 currently held in the British Museum. Despite the\u00a0complex Nigerian cultural politics<\/a>\u00a0the Asante loan agreement will impact the debate on the status of these artefacts.<\/p>\n

“Renewable cultural partnerships\u201d<\/a>\u00a0\u2013 an elegant term to describe loans \u2013 are by no means enough. The elephant in the room is the existing legal framework, forged in period of decolonisation and diminishing western influence, that forbids the repatriation of antiquities.<\/p>\n

Over 60 years on from when a ban on repatriation was\u00a0first introduced<\/a>, the world is a different place. Big European museums have nothing to fear from repatriation requests and agreements. The enormity of their collection guarantees that there will almost never be a void to fill.<\/p>\n

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\n*Visiting Research Fellow, Centre for Hellenic Studies, King\u2019s College London\/ Lecturer in Modern History, City, University of London<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"

The Victoria and Albert Museum (V&A) has announced a loan agreement with the Manhyia Palace Museum in the Asante region of Ghana to return gold and silver royal regalia that were looted from the country by the British in 1874 and 1895. The decision\u00a0was announced\u00a0on the 150th anniversary of a sequence of wars of aggression, waged by the British empire against the Asante kingdom in Africa\u2019s Gold Coast (modern day Ghana).<\/p>\n","protected":false},"author":1,"featured_media":10664,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"iawp_total_views":12,"jnews-multi-image_gallery":[],"jnews_single_post":{"source_name":"The Conversation","source_url":"https:\/\/theconversation.com\/vandas-decision-to-loan-looted-asante-gold-back-to-ghana-has-implications-for-other-british-museums-222312","via_name":"","via_url":"","override_template":"0","override":[{"template":"1","single_blog_custom":"","parallax":"1","fullscreen":"1","layout":"right-sidebar","sidebar":"default-sidebar","second_sidebar":"default-sidebar","sticky_sidebar":"1","share_position":"top","share_float_style":"share-monocrhome","show_share_counter":"0","show_view_counter":"0","show_featured":"1","show_post_meta":"1","show_post_author":"0","show_post_author_image":"1","show_post_date":"1","post_date_format":"default","post_date_format_custom":"Y\/m\/d","show_post_category":"0","show_post_reading_time":"0","post_reading_time_wpm":"300","show_zoom_button":"0","zoom_button_out_step":"2","zoom_button_in_step":"3","show_post_tag":"1","show_prev_next_post":"0","show_popup_post":"0","number_popup_post":"1","show_author_box":"0","show_post_related":"1","show_inline_post_related":"1"}],"override_image_size":"0","image_override":[{"single_post_thumbnail_size":"crop-500","single_post_gallery_size":"crop-500"}],"trending_post":"0","trending_post_position":"meta","trending_post_label":"Trending","sponsored_post":"0","sponsored_post_label":"Sponsored by","sponsored_post_name":"","sponsored_post_url":"","sponsored_post_logo_enable":"0","sponsored_post_logo":"","sponsored_post_desc":"","disable_ad":"0"},"jnews_primary_category":{"id":"","hide":""},"jnews_social_meta":[],"jnews_override_counter":{"override_view_counter":"0","view_counter_number":"0","override_share_counter":"0","share_counter_number":"0","override_like_counter":"0","like_counter_number":"0","override_dislike_counter":"0","dislike_counter_number":"0"},"footnotes":""},"categories":[6,27],"tags":[158,2069,2068],"class_list":["post-10796","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture","category-west-africa","tag-ghana","tag-national-heritage-act-of-1983","tag-victoria-and-albert-museum"],"_links":{"self":[{"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/posts\/10796","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/comments?post=10796"}],"version-history":[{"count":0,"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/posts\/10796\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/media\/10664"}],"wp:attachment":[{"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/media?parent=10796"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/categories?post=10796"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/qiraatafrican.com\/en\/wp-json\/wp\/v2\/tags?post=10796"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}